
The Vibrant Pahiyas Festival Street Dance: A Celebration of Culture and Faith
Every May 15, the charming town of Lucban, Quezon, bursts into a kaleidoscope of colors, music, and movement for the Pahiyas Festival, a grand celebration
The Candle Festival in Candelaria, Quezon is a heartfelt celebration of devotion to Nuestra Señora de la Candelaria, blending faith with community creativity and local pride. The festivities open with a Holy Mass, setting a solemn and prayerful mood. The highlight of the celebration takes place on February 2, when the procession fills the streets. Instead of large floats, each contingent carries a karosa portraying Mama Mary, carefully adorned and accompanied by lighted candles. The procession is done in a street-dancing style—expressive and rhythmic, yet deeply solemn—allowing devotees, especially youth contingents, to offer their movement as a form of prayer. The celebration continues with the Gala Presentation, where contingents present performances inspired by devotion and tradition. The festival is capped with a fireworks display, lighting the night sky and bringing the community together in shared joy and reverence.
The Candle Festival of Candelaria, Quezon stood out with its much-anticipated Gala Presentation, bringing together participants from different generations in a shared tribute to Nuestra Señora de la Candelaria. Divided into three categories—Kids, Youth, and Adults—the event showed how devotion to Mama Mary is passed on, expressed, and reimagined across ages.
In the Kids Category, young performers from Masin Elementary School, Pahinga Norte Elementary School, Candelaria Elementary School – Main, The Lady Mediatrix Institute, Inc., Candelaria Elementary School – 1 & 2, and Masalukot I Elementary School filled the stage with innocence, energy, and heartfelt devotion. Their performances were playful yet sincere, showing that faith can be joyful and expressive even at a young age. The Lady Mediatrix Institute, Inc. was recognized with Best Mama Mary for its thoughtful and graceful portrayal, while Pahinga Norte Elementary School earned both Best Performer and Best in Costume, impressing judges with strong choreography and well-crafted attire. Masalukot I Elementary School received the Festival Spirit Award, honoring the group’s enthusiasm, unity, and genuine love for the celebration.
The Youth Category brought a more dynamic and expressive tone, with performances from Grabsum School Inc., Tayabas Western Academy, and The Lady Mediatrix Institute, Inc. This category highlighted how tradition continues to evolve, blending street-dance elements, tighter formations, and emotional storytelling with devotional themes. Grabsum School Inc. stood out with its powerful portrayal of Mama Mary, earning Best Mama Mary, while The Lady Mediatrix Institute, Inc. dominated the category by winning Best Performer, Best in Costume, and the Festival Spirit Award, reflecting both technical skill and deep engagement with the festival’s meaning.
In the Adult Category, the performances carried a different kind of weight—rooted in experience, community leadership, and shared history. Participants included the Candelaria East District Teachers, Candelaria West District Teachers, Ministry of Gifts, MSK Masalukot II Kawan ni San Mateo, and Philippine Ghum Paste Incorporated. Their presentations leaned into symbolism, discipline, and collective storytelling, reminding the audience that devotion is sustained by long-standing commitment. Philippine Ghum Paste Incorporated emerged as a major awardee, taking home Best Mama Mary, Best Performer, and the Festival Spirit Award, while Candelaria West District Teachers won Best in Costume for their detailed and dignified attire. Overall, the Gala Presentation was more than a competition. It became a communal offering where each group—regardless of age or award—contributed to a larger narrative of faith, creativity, and shared identity, reinforcing why the Candle Festival of Candelaria, Quezon remains a deeply lived tradition for the entire town.
At the heart of the Candle Festival of Candelaria, Quezon is a profound devotion to Mama Mary, expressed most powerfully through the Mama Mary Portrayal—a tradition that sets the festival apart from many others. While Marian images are common in religious celebrations, this kind of full-town procession, moving through the entire poblacion of Candelaria, is something only a few festivals practice. What makes it especially striking is the discipline and restraint of the portrayal: the image of Mama Mary does not move, mimicking the stillness of a statue. There are no exaggerated gestures or shifting expressions—only calm, composed presence, allowing reverence to take center stage.
Each portrayal is carefully prepared, from the serene facial expression to the complete vestments and crowns. Many of the images are adorned with metal repoussé vestments—intricately crafted metallic garments traditionally used for Marian icons—paired with ornate coronas and radiant resplendors that frame the figure with symbolic light. These details are not merely decorative; they echo long-standing Catholic iconography, reinforcing Mama Mary’s dignity and sacred role. The karosa, either carried or pulled by a group of devoted men, follows behind the street dancers, creating a visual rhythm between movement and stillness, celebration and prayer.
As night falls, the experience becomes even more unforgettable. Lit by candles and soft lights, the karosas begin to glow, reflecting off the metallic vestments and crowns. Spectators line the streets of Candelaria, Quezon in quiet awe, many pausing mid-conversation as the image passes by. Honestly, there’s a shared feeling in those moments—as if the crowd isn’t just watching a performance, but witnessing a living presence. For some, it feels like seeing a lifelike vision of the Mother herself, calm and radiant amid the festivities.
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This deep reverence is formally recognized during the Gala Presentation through the Mama Mary Portrayal Awards, honoring groups that best capture both spiritual depth and visual integrity. In the Kids Category, The Lady Mediatrix Institute, Inc. received the award for Best Mama Mary, balancing youthful creativity with sincere devotion. Among the Youth Category, Grabsum School Inc. stood out for its graceful and composed portrayal, earning the same distinction. For the Adult Category, Philippine Ghum Paste Incorporated claimed the honor, presenting a portrayal marked by maturity, discipline, and strong symbolic presence.




















Kandelawan Village: A Festival of Light and Devotion
Kandelawan Village is one of the most visually captivating and culturally meaningful features of the Candle Festival of Candelaria, Quezon, serving as a festival village where devotion to Nuestra Señora de la Candelaria is expressed through creativity, light, and communal storytelling. During the festival, each barangay sets up its own booth or display near the San Pedro Bautista Parish Church and other public areas, transforming the surroundings into a lively village of art and illumination. These exhibits combine traditional religious symbols, artistic interpretations of candle motifs, and visual narratives that reflect both local heritage and the spiritual significance of Candlemas. As the village comes alive, visitors and residents alike stroll through the displays, experiencing the festival not only as a street procession or performance but also as a collective expression of faith and identity, highlighting the town’s cultural richness and unity.




















What makes Kandelawan particularly special is how it reinforces the theme of light—not merely as decoration, but as a symbolic centerpiece of the festival’s meaning. The name itself evokes the essence of candles and illumination, echoing the festival’s spiritual focus on Christ as the Light of the World and Mama Mary as the bearer of light. In the glowing evening ambiance, the village becomes a space where art, faith, and devotion intersect: lanterns, decorative lights, and creative installations cast a warm radiance that invites quiet reflection and communal engagement. In this way, Kandelawan Village transforms the traditional religious observance into a lived, immersive experience, allowing the community to share their devotion and creativity with both visitors and one another in a meaningful, memorable way.




































The Arko ng Pananampalataya is one of the most striking and meaningful sights during the Candle Festival of Candelaria, Quezon. These arches, strategically placed along the festival route near the San Pedro Bautista Parish Church and key streets of Candelaria’s poblacion, are much more than decorative pieces—they are symbols, inviting everyone to step into a shared journey of faith. Built with candle motifs, images of Mama Mary, and elements of light, each arko reflects the devotion and creativity of the community. Local artists, barangay groups, and volunteers spend weeks designing and assembling them, blending tradition with innovation. When festival day arrives, passing under these arches already sets the mood, letting devotees and visitors alike feel that they are entering a special space where faith, culture, and celebration meet.






















As the procession winds its way through the streets, the Arko ng Pananampalataya transforms into a living, breathing part of the festival. Lit by candles and soft lights at night, the arches glow warmly, casting a serene and almost magical ambiance over the route. Walking beneath them feels like stepping into a sacred passage, connecting the physical journey through town with a deeper, personal reflection of faith and devotion. For many, it’s a moment to pause, bow their heads, or quietly offer a prayer—an intimate experience amid the festive energy. The arches don’t just mark the path of the procession; they become a reminder that the Candle Festival of Candelaria, Quezon is as much about inner light and devotion as it is about colorful performances and street celebrations.
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